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And when her heart made
that sad little oboe note
she wanted to know where
the mind came from,
and was as answerless
as if she sat in the middle
of a beginningless river.

Mary Ruefle, from “Maria and the Halls of Perish,” published in Bennington Review (via lifeinpoetry)

lilithsplace:

Untitled, 2012 – Anat Betzer (b. 1965)
oil on canvas | source:

sonnywortzik:

^{Annie Oakley’s heart target (One of Oakley’s most popular stunts was shooting through the center of a small, inch-wide heart on a card from around 40 feet away.)}

^{Photograph by Annie Leibovitz, Pilgrimage (Random House, 2011)}

laurenmarx:

^{“Vulpes vulpes”, 2015, Ball point pen, Ink pencils, Acrylic ink, Marker, Colored pencil, Graphite, and Gel pen on Hot-Pressed Watercolor Paper, 18 ¼ x 24in,}

^{$2,200. Available, and view able, at Roq La Rue Gallery until May 30th.}

requiem-on-water:

I’ve seen the light but not the kind I would have liked by pisaller-art

hirxeth:

“I must say, I find that girl utterly delightful.”

The Grand Budapest Hotel (2014) dir. Wes Anderson

redlipstickresurrected:

Cristian Robles aka Kensausage (Spanish, based Barcelona, Spain) – Fan Poster done for film White God, 2015; a Hungarian film directed by Kornél Mundruczó.

lifeinpoetry:

each morning i pull myself
out of despair

from a night of coals and a tongue
blistered with smiling

the step past the mother bed
is a high step

the walk through the widow’s door
is a long walk

and who are these voices calling
from every mirrored thing

say it coward say it

— Lucille Clifton, “

[Each Morning I Pull Myself],” published in The Kenyon Review